The perceptions of Malcolm Gladwell and Bill Simmons
May 13, 2009
Bill Simmons is one of my favorite sportswriters (thanks to my old roommate Stephen for introducing him to me), and Malcolm Gladwell is the funny and insightful author of books The Tipping Point, Blink, and most recently Outliers.
What I didn’t know is that these guys know each other and love to rap about sports, and they have an oddly similar way of being both extremely perceptive about people and human nature – and highly talented at communicating their observations in writing. They are also both very in tune with pop culture and have a great way of mixing their worlds (sports and behavioral psychology) with the familiar in order to make it easier to understand, and more entertaining to read.
The most recent tangle between these two is posted on ESPN.com today, and it’s a great read. My favorite part, predictably, is where they compare sports teams to musical teams (bands). A couple excerpts:
Simmons:
And in my opinion, LeBron [James] has a chance to be U2 or Springsteen in Cleveland. Now that he’s winning, and now that the Cavs know how to build around his personality — in a nutshell, finding complementary players who won’t be threatened by him, enjoy basketball, enjoy life and aren’t afraid of failing — this could just go on and on for as long as he wants. Other stars will take less to play with him. Older players will take the minimum just to play with them for one season. Basically, it will be like Bruce deciding, “Hey guys, we’re going on tour again,” and the rest of the E Streeters dropping whatever they were doing to join him. Why? Because you don’t turn down Bruce Springsteen.
Gladwell:
And that’s the thing I worry about with LeBron. You say that this could go on for as long as he wants, but the truth is these things rarely go on for as long as anyone wants. U2 is a weird exception. In most cases, John turns on Paul, Axl gets fat and Kurt Cobain commits suicide.
Feeling what the artist felt . . .
May 12, 2009
Never heard it expressed so succinctly and accurately. This is what art is all about. (via Buzzfeed)
Immediate accountability
April 27, 2009
This past week I had the pleasure of meeting and having coffee with a sharp younger guy who grew up in a very successful family business, and as a result had the opportunity to shoulder a lot of responsibility in that business at a very young age. He seized that opportunity, and as a result he has developed life and business experience well above the average for his age. But despite his accomplishments, he maintains a kind, humble nature and a good sense of humor.
But these are all things I learned about him through an almost hour-long conversation. What I learned about him instantly upon meeting him is that he is a practicing member of the Sikh religion.
Sikhism is a religion that grew out of the Punjabi region of India (and is where most Sikhs live today), and is based on the ideals of honesty, equality, fidelity, meditating on God, and never bowing to tyranny. Despite conflicts with both Hindus and Muslims in the past 100 years, Sikhism is historically a very tolerant religion that has co-existed with other religions for centuries.
But the most striking foundation of the Sikh religion is that Sikh men are required to wear uncut hair, so most Sikhs you meet will have a long beard and a turban on at all times.
The best part of our conversation was when this gentleman told me about his work with the Sikh Research Institute, which is not an evangelical organization, but seeks to spread understanding about the Sikh religion and people in an era prone to religious intolerance.
“When I walk into a room, I feel instant accountability,” he told me. “Not just for my business and my family, but for my faith and people.” We talked about how he looks at the outward expression of his faith not as an obstacle but as an opportunity. Everyone remembers him, for better or worse, and he makes sure it’s for the better.
I couldn’t help but consider how this unavoidable feeling of accountability, and his constant sense of being a part of something much larger than himself, must have played a role in making him the charismatic, warm, and receptive person he is today.
Open practices
April 2, 2009
I’m not a huge fan of the University of Southern California, mostly for the sole reason that I personally flew to Miami to watch them pummel my Oklahoma Sooners 55-19 in the 2005 Orange Bowl game. But you can’t deny their success as a football program under coach Pete Carroll, who has led their program since 2000.
One of the things I’ve always found interesting about Carroll is that nearly all of his team’s practices are open to the public. Most college coaches guard practices closely, not only because they find that an audience distracts the players – but also because they don’t want competitors sending scouts to study their team.
Carroll finds that an audience helps players get accustomed to the distractions of a real game-time scenario, makes them practice harder, and is fairly dismissive of the potential danger that competitive spies pose. While many attribute this to arrogance (notably those who have watched his team pummel theirs, of which I am certainly not the only one), I believe that Carroll understands the role of execution vs. methodology.
Sure, Carroll isn’t handing anyone his playbook, and he doesn’t allow photography or video at practices, but he is ok with more openness than most because he understands that just because he is revealing how he does it doesn’t mean you can go do the same. You won’t have his experience, you won’t have his athletes, and even if you did you would be starting late. You may learn a lot about his methods, but you won’t be able to outdo him at his own game.
This is a good lesson in business as well. Someone stealing your ideas or you way of doing things is often far less of a threat than you think it is. Because ultimately it’s not about the ideas, it’s about the doing. And ultimately no one can really execute your idea the way you see it better than you.
Being guarded with your ideas can be dangerous, because the more you convince yourself of their value, the less focused you will be on executing on them. You will not benefit from the discussion that sharing ideas brings, and your ideas will not evolve.
Try holding a few open practices, and see what it brings.
The secret to musical mastery: women
March 10, 2009
This post is to celebrate the lead-up to South by Southwest, one of the best music events on the planet.
Women are responsible for the vast majority of music ever created. Either they were creating it themselves, or they were inspiring young men to do the same.
Most women are shocked by this revelation. “You mean all men learn to play guitar in order to increase their chance of scoring?”
Yes.
“But they say it’s because it speaks to their soul.”
They’re lying.
There are two reasons why wooing the ladies is the main reason men gravitate toward musicianship. First, it works. I could go into why I think it works but it really doesn’t matter. The supporting data are overwhelming. Second, learning to play an instrument is difficult. After a few weeks, it seems like you’ll never get to any level of proficiency. Without the promise of a woman’s attention dangling out there, most men give up. Of course, the promise of a woman’s attention motivates a great deal of what we men do (working out, making money, etc.).
I’ve been a musician my whole life, and I do love music for reasons that have nothing to do with getting lucky. But those reasons came later, way after I started learning how to play. Even in 5th grade, where I changed from piano to saxophone, I did it to play an instrument that was “cooler.” This is really just a fifth-grader’s way of identifying a more girl-friendly strategy before he’s even figured out that he likes girls.
The problem is that most men fail to acknowledge the real reason why they should learn to play an instrument, even to themselves. As a result, they don’t optimize their approach to get the results they are after. This can lead to things like playing the oboe. No one ever got a date by playing the oboe. Sorry.
Men, it’s at this point that you need to look at yourselves in the mirror and be honest. Music is a wonderful, beautiful, artistic thing, but if you really want to become a good musician you need to focus on the possibility of one thing: groupies.
As in the earlier oboe-playing example, the point where most guys go astray is the point of instrument choice. If you choose a bad instrument, the ladies will ignore your efforts and you will quickly stop playing. You might even wonder why those harp lessons never stuck. But really, you were done before you started.
So to help you, I have included below a list of what I consider are the ten best instruments to woo the ladies – gathered from years of observing their effectiveness. You can play any of them, based on your personal taste and the type of women that interest you, but I wouldn’t stray too far from this list.
1. Guitar – A good guitar player is like superman, from the arena stage to the campfire. There is a reason why “Guitar Hero” is one of the most popular video games of all time.
2. Vocals – A man that can sing well can speak in ways the rest of us can’t. He also carries his instrument with him wherever he goes. The only reason he isn’t number 1 is because he doesn’t have the mystique of the guitar player (If you need to understand this dynamic better, see Cameron Crowe’s seminal movie Almost Famous).
3. Drums – The drummer is the working man of the rock band, the captain of the rhythm section. As such, even though he is further from the women in the front row than other musicians, the fact that he lays down the beats means his connection with them is more primal. Women will sometimes walk right past the lead guitarist and front man to talk to the drummer right after a show. Laying down the beat lays down the groundwork.
4. Bass Guitar / Stand-up Bass - In certain instances the man on bass can hop over the drummer, but in most cases bass guitar offers the least opportunity for expressiveness in terms of your traditional rock band instruments. But it’s still a powerful combination of rhythm and proximity to the audience. A Stand-Up Bass can earn you a little extra mojo if you work in a few full spins.
5. Piano / Keyboards – Piano is, in my opinion, the most legitimately romantic instrument behind vocals. This is why the hair bands of the 80’s, who were the least coy about their motivations for picking up instruments, would occasionally roll out a piano ballad to further their efforts (See “Something to Believe In”, Poison, 1990).
6. Saxophone – When I throw sax out there, most people think Kenny G. Stop it. This is not the sax I’m talking about. Sax is #6 for one reason, and that’s jazz. The jazz saxophone is the closest instrument to the human voice, and can nearly match its expressiveness. The weakness for the sax, as with other wind instruments, is that you cannot roll a combo with instrument+vocals. (For good sax, see Michael Brecker)
Before I go on, that’s an important note about instruments 1-5 above. Instruments like bass guitar or piano can shoot to the top of the list when paired with vocals. This is the only way a guy who looks like Billy Joel could marry Christie Brinkley (and he’s now married to 28-year-old Katie Lee – no judging, how you wield the power is your choice).
7. Trumpet – Ok, trumpet is a little bit of a stretch at #7 but I put it in not only because it’s another great jazz solo instrument, but also because it’s arguably the manliest instrument in the symphony orchestra (I know I’m reaching, but in the same room with men playing bassoon and viola, this guy is a rock star).
8. Violin / Fiddle – Violin is another cross-over instrument, because although it’s the prima donna of the symphony, it’s a great solo instrument for country/western/bluegrass/celtic. Unfortunately, fiddle-style violin just isn’t that sexy in most cases. But you can’t say Charlie Daniels didn’t considerably increase his luck every time he rolled out “The Devil Went Down to Georgia.” (1979)
9. Trombone – Trombone brings it in at #9, as it too can be a powerful jazz or orchestral instrument. Though it’s a little pokier than its brass cousin the trumpet, it makes up for it a bit with deeper, manlier timbre.
10. Bagpipes – I personally think women get freaky when they hear the bagpipes. But I might be alone in this opinion. I mean, they play the bagpipes before Irish battles and at the funerals of policemen and firemen, for pete’s sake. This is a much better choice if you are looking for something non-traditional than say, the dreaded accordion.
So men, I hope my list will help you budding musicians out there in the early choices that can mean the difference between virtuosity and obscurity. And if you try them all and find that you have no musical talent whatsoever, remember that you can always grow a mustache.

This article is cross-posted from Powered’s company blog,
But let’s think a bit more about the Dunkin Donuts’ brand. How does Dunkin Donuts get you interested and get you in their store? How do they connect with your needs? A good place is always to start with the tagline – “America runs on Dunkin.” Are they really selling donuts and coffee here, or something more important? Something more basic?
My wife needs a new car. After nearly ten years in the salt-slicked Winter streets of Chicago, her current car is rusted out and destined for the scrap heap.
This post was originally published over on the Powered Blog,
If you were living in the early 1900’s and someone handed you one of the first telephones, I’d bet you stare blankly at that person and say “now how would I use this?”
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